L'idée du peintre parfait, pour servir de régle aux jugemens que l'on doit porter sur les ouvrages des peintres.

L'idée du peintre parfait, pour servir de régle aux jugemens que l'on doit porter sur les ouvrages des peintres.

Di (autore) Roger de Piles
ISBN: 9780274419029
Casa editrice: Wentworth Press
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The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.
The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included.
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The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification:
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<sourceLibrary>British Library

<ESTCID>T055190

<Notes>Anonymous. Variously attributed to Roger de Piles or to André Félibien. Probably printed in the Netherlands.

<imprintFull>Londres : chez David Mortier, 1707. <collation>92p. ; 12°

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BindingBrossura
LinguaFrench
Anno di pubblicazione2018
Pagine92
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The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.
The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included.
++++
The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification:
++++
<sourceLibrary>British Library

<ESTCID>T055190

<Notes>Anonymous. Variously attributed to Roger de Piles or to André Félibien. Probably printed in the Netherlands.

<imprintFull>Londres : chez David Mortier, 1707. <collation>92p. ; 12°

Specifiche di prodotto
Nome dell'attributoValore dell'attributo
BindingBrossura
LinguaFrench
Anno di pubblicazione2018
Pagine92
Recensioni del prodotto
Solo gli utenti registrati possono scrivere recensioni